Make me thy lyre, even as the forest is:
What if my leaves are falling like its own!
Percy Bysshe Shelley, born 1792, was the eldest child of a rich Whig MP. He was bullied at Eton – ‘Shelley-baiting’, as it was known – and expelled from Oxford – for atheism. At nineteen he eloped with Harriet Westbrook – the first of two unhappy marriages. A few years later he met Mary Godwin, daughter of Mary Wollstonecraft, and together they eloped to the continent. Harriet committed suicide in 1816. A month later Shelley and Mary were married. The couple left England for Italy in 1818, where Shelley produced the best of his poetry and prose – prose philosophical and political. Unheralded in his own lifetime, he was taken up as the angel of the pre-Raphaelites and the free-loving comrade of the twentieth and twenty-first-century left. He drowned in the Bay of Spezia in 1822 – aged 29.
My opinion of love is that it acts upon the human heart precisely as a nutmeg grater acts upon a nutmeg.
Curiosities
Shelley sent his Declaration of Rights across the Bristol Channel in bottles. And over it: the poem ‘To a Balloon, Laden with Knowledge’ refers to the bundle of pamphlets he suspended from a patchwork silk balloon.
‘Shelley, the writer of some infidel poetry has been drowned’, said the London Courier on Shelley’s death, ‘now he knows whether there is a God or no.’
Dead Poets Live returned to Wilton’s Music Hall for the story of Gerard Manley Hopkins, played by Joshua James, as told by his best friend, Robert Bridges, played by Peter McDonald.
Dead Poets Live are delighted to present Autumn Journal, Louis MacNeice’s thrillingly intimate and powerful dramatic monologue. Featuring Éanna Hardwicke (The Sixth Commandment; Normal People).
Two-time Olivier Award winner Denise Gough returned to The Coronet, where Dead Poets Live‘s exploration of the poetry of Sylvia Plath premiered in 2018.
The Gate Theatre welcomed Dead Poets Live and two-time Olivier Award winner Denise Gough – ‘a stellar performance’ (Times Literary Supplement) – as part of its Gatecrashes strand.
In the centenary of The Waste Land, Dead Poets Live returns to The Coronet Theatre for three nights to tell the story of how that masterpiece of literary modernism was made. Starring Lindsay Duncan.
Dead Poets Live returned to Wilton’s for the first time since the beginning of the pandemic to mark two centenaries: the birth of The Waste Land and the death of Marie Lloyd.
Filmed at the candlelit Sam Wanamaker Playhouse, watch Olivier award-winning actress Juliet Stevenson read one of the most original poets of the 20th century, Stevie Smith.
Watch the full film here.
Dead Poets Live were back again at The Coronet Theatre for two nights to present their second living poet, winner of the 2018 T. S. Eliot Prize: Hannah Sullivan.
Dead Poets Live returned to Wiltons after their sell-out Bob Dylan show to revive its most moving show: the story of Edward Thomas and Robert Frost, with Rory Kinnear in the role of Thomas and Nat Segnit replacing Toby Jones in the role of Frost.
On April Fool’s Day Dead Poets Live return to Print Room at the Coronet with a show for the young and the young-at-heart, and for anyone who claims not to understand poetry: a brief history of Nonsense.
Dead Poets Live were delighted to return The Print Room with The Broken Word, a great modern poem by Adam Foulds, featuring Tom Hiddleston, George MacKay, Yasmin Paige, Faaiz Mbelizi and Toby Jones.
On the back of six sellout shows, Dead Poets Live returned to the Print Room with ‘Three Ages of Yeats’, starring Barry McGovern, John Lynch and Robert Sheehan.